a boy's own search for meaning in life, love, and birthday cake.


Showing posts with label L.I.F.E.. Show all posts
Showing posts with label L.I.F.E.. Show all posts

Friday, May 14, 2010

L.I.F.E.: 10-0513

OVER BLACK.

L. (V.O.)
Today is the first day of
the rest of your life.
(beat)
Don't fuck it up.

CUT TO:

INT. L.'S BATHROOM – DAY (PRESENT)

L. (22) stands in front of the mirror in a towel, dripping wet from a fresh shower.

HE IS STARING INTENTLY BACK AT HIS REFLECTION, the gaze from his tired, wizened eyes unwavering.

FLASHBACK TO:

THAT MORNING -
L. in a tee and shorts, doing jumping jacks at the foot of his bed with a blank, distant stare.

BACK TO:

INT. L.'S BATHROOM - SAME

His hair, NOW CROPPED EXTREMELY SHORT, glistens from the sunlight streaming from a nearby mirror.

FLASHBACK TO:

L. struggles through a series of push-ups on his bedroom floor, BREATHING HEAVY and obviously having difficulty.

BACK TO:

INT. L.'S BATHROOM - SAME

Fresh from a shave, he has A FEW TINY SQUARES OF TOILET PAPER on his face to tend to his hastily-delivered razor nicks.

FLASHBACK TO:

Sweat starts to trickle down his face as L. performs a round of sit-ups, GRUNTING IN AGONY.

BACK TO:

INT. L.'S BATHROOM - SAME

He's put on a few noticeable pounds since the last time we saw him, looking a little more solid, albeit still on the thin side.

FLASHBACK TO:

L. runs around his block, visibly in pain, GASPING FOR AIR, and soaked in sweat. He wipes a trickle from his eyes and pushes himself further.

BACK TO:

INT. L.'S BATHROOM - SAME

L. TAKES A DEEP BREATH, the reflection of his eyes never leaving his intense stare.

AFTER A MOMENT he nods back at himself in the mirror, having made up his mind out of sheer determination.

CUT TO:

INT. L.'S BEDROOM – CONTINUING

A SERIES OF QUICK FLASHCUTS as L. moves about his bedroom, consisting of L.:

a.) performing his moisturizing routine de rigeur in front of a mirror beside his bed.

b.) flipping the switch of his garment hand-steamer 'ON' with a curt CLICK.

c.) sliding the doors of his closet open, revealing A VAST SELECTION OF CLOTHES, neatly organized by style and color.

d.) selecting a conservative NAVY PINSTRIPED SHIRT and PALE GRAY WOOL DRESS PANT from the wardrobe and hanging it onto the steamer.

e.) steaming out the wrinkles from the shirt and pants to flawless perfection.

f.) slipping on the pair of pants, the trouser creases crisp and neat.

g.) buttoning up the shirt from the bottom up, stopping at the second to the last button.

h.) slapping on some Kiehl's styling wax to his cropped hair and styling it in a formal military-esque fashion.

PAN OUT to REVEAL we're in:

INT. L.'S BATHROOM – CONTINUING

L., now primped, polished, and impeccably styled, looks back at his reflection gravely and nods.

L.
Go get 'em, Tiger.

CUT TO:

INT. L.'s HOUSE – CONTINUING

L. prepares to leave the house when he is stopped by HIS MOTHER.

L.'S MOTHER
Where are you going? Work?

L.
No, I have that Navy test I told
you about. So I can get that
Nuke job. Remember?

L.'S MOTHER
Oh.
(beat)
I don't know what that means.

L. just smiles back at his mother and gives her a kiss on the cheek.

L.
I love you, Momma.

L.'S MOTHER
Love you, too. Good luck, anak.

She sees him out, watching him go with a MOTHERLY SIGH of affection.

CUT TO:

INT. NAVY RECRUITING OFFICE – TESTING ROOM – LATER

L. and ANOTHER BOY (20, confident, impatient) sit at a testing table, partitioned off from one another in the small, sparse room.

A blank answer sheet and test booklet sit before them, along with other testing materials including a few sheets of paper, three perfectly sharpened #2 pencils, and a simple calculator.

L. looks sickeningly anxious (but trying his best to hide it) as the uniformed exam proctor -- DANIEL CROMWELL, EM1(SW) (30s, wholesome, classic American good looks) -- briefs the two boys over the test.

(NOTE: He pronounces "nuclear" as "nucular.")

CROMWELL
You will be tested on your
skills in Algebra, Algebra II,
geometry, physics, and chemistry.
You must score at least 50 out
of 80 questions to be considered
a qualified candidate for the
Naval Nuclear Program. You will
have exactly 2 hours to complete
the test. Please mark all of your
answers in a neat and clear fashion.
(beat)
Any questions?

OTHER BOY
Nope.

L.
(struggling to speak)
No, sir.

CROMWELL
Very well. You have until 1430
to finish. Take your time, and
good luck to you both.

He exits the room, closing the door tightly behind him.

The Other Boy jumps right into the test.

L. TAKES A DEEP BREATH, staring at his blank answer sheet for a moment before opening his test booklet.

TIME CUT – LATER

L. stares at the open test booklet before him, stuck on question #7. His first page of scratch paper is already half-way marked with crossed-out work from the previous six questions.

He checks the time.

L.'S P.O.V. – HIS WATCH
tells him 15 minutes have elapsed.

BACK TO SCENE


He sneaks a quick glance from the corner of his eye to -

L.'S P.O.V. – THE OTHER BOY
who is seemingly flying through the test.

BACK TO SCENE

L. looks back at his test booklet, SWALLOWS HARD.

L.'S P.O.V. – E.C.U. TEST BOOKLET

"7. A 50-kilogram firefighter is on a ladder 10 meters above the ground. When the firefighter descends to 5 meters above the ground, the firefighter's gravitational potential energy will decrease by

A) 0.194 joules.
B) 5.10 joules.
C) 490 joules.
D) 2450 joules."

BACK TO SCENE

L. stares intensely at the question, frustrated and frightened as he struggles to find a way to work out a solution.

Finally he gives up and just fills in a random bubble on his answer sheet.

He moves onto the next question.

L.'S P.O.V. – E.C.U. TEST BOOKLET

"8. A ball is dropped from rest from a height 6.0 meters above the ground. The ball falls freely and reaches the ground 1.1 seconds later. What is the average speed of the ball?

A)
5.5 m/s
B) 6.1 m/s
C) 6.6 m/s
D) 11 m/s"

BACK TO SCENE

L. scrunches up his brows in pure frustration.

L.
(under his breath)
Give me a fuckin' break.

TIME CUT – LATER

L.'s on question #34, having already gone through two pages of scratch paper (both sides) and is on to his second pencil.

He's sweating bullets as he reads the question.

L.'S P.O.V. – E.C.U. TEST BOOKLET

"34. The specific heat of copper is about 0.4 joules/gram ºC. How much heat is needed to change the temperature of a 30-gram sample of copper from 20.0 ºC to 60.0 ºC?

A) 1000 J
B) 720 J
C) 480 J
D) 240 J"

BACK TO SCENE

L.'s face contorts to that of desperation and panic, just as Cromwell returns to the room.

CROMWELL
Gentlemen, it is 1330. You have
exactly one hour to complete the
exam. How are we doing?

THE OTHER BOY
Good.

L.
(small)
G-Good, sir.

Cromwell peers over The Other Boy's shoulder, seeing that he's currently working his way through question #62.

CROMWELL
Very good.

He peers over at L.'s answer sheet, noting where he is in regards to time.

L. SWALLOWS HARD, avoiding looking at the exam proctor in the eyes.

Cromwell places a reassuring hand on L.'s shoulder, giving him a polite and encouraging smile.

CROMWELL (CONT'D)
(gently, sotto: L.)
Just take your time and try
to do your best. You still
have one hour.

L.
(nods, small)
Yes, sir.

CROMWELL
(addressing both)
Very well, then. Continue.

He exits.

L. EXHALES FORCEFULLY and resumes his test, feeling defeated and embarrassed.

CUT TO:

INT. NAVY RECRUITING OFFICE – MAIN ROOM – LATER

L. exits the exam room and into the main room of recruiters' desks, tentative and wary.

All desks are empty of their respective recruiters except the one farthest away from L., where Cromwell and The Other Boy are CHATTING.

They STOP CONVERSING upon hearing L.'s approach and turn to him, causing L. to stop dead in his tracks.

Cromwell gives L. an amiable smile.

CROMWELL
How was it?

L. hesitates to answer.

CROMWELL (CONT'D)
Fun?

L. cracks a nervous smile, unsure how to respond.

L.
Barrels of.
(beat)
Sir.

Cromwell gestures for L. to sit beside The Other Boy.

CROMWELL
Come, sit. We were just discussing
the Nuclear Program. You can listen
in, maybe learn a thing or two.

L. tentatively sits beside The Other Boy as Cromwell resumes his account.

CROMWELL (CONT'D)
So after boot camp, that's nine
weeks of hell right there, you've
got what we call your 'A' School,
and you're there for about, say,
4 months. Then it's on to Power
School, and that's 6 months. So
starting out, it's a lot of time
spent in classrooms, lot of book-
learning, things like that. Then
after that, if you volunteered
to be in a sub . . .

His voice TRAILS OFF the soundtrack as we SLOW PAN TOWARDS -

C.U. - L.'S FACE
which is consumed by a poorly-constructed mask to hide the sinking fear and disappointment he's feeling inside.

CUT TO:

EXT. L.'S NEIGHBORHOOD – EVENING

L. makes his way home, his walk an unconscious studied tribute to the military's drill & ceremony standards, albeit a bit stiff.

He keeps his eyes trained on the horizon as he marches on, but his face betrays the confidence he's trying so hard to project.

Upon closer look, it's obvious he is visibly shaken. Terrified.

CUT TO:

INT. L.'S HOUSE – LATER

L. enters, carrying a box of chocolates. He closes the door behind him QUIETLY and heads for his bedroom when the SOUND OF HIS MOTHER'S VOICE catches him off-guard.

L.'S MOTHER (O.S.)
How was it?

L. pauses in the hallway for a moment, collecting himself before turning to find his mother on the sofa with a cup of tea.

L.
(haltingly)
It was fine.

L.'S MOTHER
"Fine?"

L.
Yeah. Fine.

L.'s Mother peers at her son closely, a concerned look on her face.

L.'S MOTHER
Come here. Sit down.

L.
Nah, that's okay. I'm kinda
tired and I just wanna take
a nap right now . . .

But L.'s Mother is not having it. She sets her cup of tea down onto the coffee table and looks back at L. gravely.

L.'S MOTHER
(no nonsense)
L., sit.

L. decides against putting up a fight and joins his mother, sitting on the opposite chair farthest from her.

L.'S MOTHER (CONT'D)
Tell me about it.

L.
What's there to tell? I went,
I took the test, I bombed.
End of story.

He opens the box of chocolates he brought home with him and begins to dig in, searching for some kind of comfort among the wrappers.

L.'S MOTHER
What do you mean, "bombed?"
Is that a nuclear joke?
(reaching for the chocolates)
Give me some.

L. hands her the box reluctantly. He peels out of his shirt and kicks off his shoes as he continues.

L.
No, Momma. It means I wasted
my time. The test asked questions
on subjects I had in high school
that I didn't even know the answers
to when I was  in high school.
(beat)
I . . .
(with great difficulty)
I failed it, Momma.

L.'S MOTHER
Don't say that, anak.

L.
I did. I failed that test.

L.'S MOTHER
How do you know? Did they tell
you what you got on it?

L.
No, I won't find out until
tomorrow.

He stuffs his face with more chocolate, not finding any solace.

L.'S MOTHER
Then how do you know you failed
it when you don't even know
what you got?

L. stops, mid-chew, to consider this.

L.
I did so poorly. I struggled
with so many of the questions.
I barely finished the test
on time.

L.'S MOTHER
As long as you did your best,
that's all that anyone can
ask for, anak.

L. gives her an ironic smile.

L.
That's such a motherly thing
to say.

L.'S MOTHER
Of course. Aren't I not your
mother?

A rogue tear appears in L.'s eye. He is quick to dispatch it to the back of his hand, but not before being caught by his mother.

L.
I don't know what I'm going
to do if I didn't pass this
test. I don't . . . I don't
have a back-up plan if this
fails. I have to get this.

L.'S MOTHER
Don't say such things. God
has a plan for you, whether
or not you pass the test.
He has a plan for you, and
it is good.

L. gives her a skeptical glance.

L.
How can you be so sure?

L.'S MOTHER
How can you not be? You just
have to believe that God has
good things planned for you.
I believe that.

L.
(sardonic)
Yeah, I'm sure he does.

L.'S MOTHER
Don't you dare talk like that
about God to me.

L. is immediately caught off-guard by his mother's sudden impassioned tone. She softens her voice.

L.'S MOTHER (CONT'D)
I was like you once. For 35
years, I wished and I prayed
for something I wanted so
badly, every single day. I
waited 35 years for it. I
suffered so much for it,
wanted it so bad that it hurt
deep down inside. You know
that kind of want?

L. can only nod. It's the same kind of hunger he himself has.

L.'S MOTHER (CONT'D)
And I finally got it, but even
till now, I haven't gotten all
of what I wanted. You understand?

Another tear slips out from L.'s eyes. This time he doesn't bother to hide it.

L.
You mean me. For 35 years, all
you ever wanted was a boy,
and you finally got him.
(bitterly)
But he wasn't exactly what
you wished for. Wasn't he?
Because he's gay.
(beat, disgusted)
What a cruel joke from God.

L.'S MOTHER
It's not a cruel joke. I don't
think of you as a cruel joke.

L.'s tears stream freely now. He STIFLES A SOB as he stuffs another piece of chocolate into his mouth.

L.'S MOTHER (CONT'D)
God was trying to teach me
a lesson, the same thing He
is trying to teach you: be
patient. Be forgiving. Some-
times what you think you
really want isn't in God's
plan for you, because He
has something better in mind.

She reaches across the space between them and takes L.'s hand in her own.

L.'S MOTHER
I love you, anak. No matter
who you are. No matter what
you do. No matter whether
or not you pass a test.

L.
I just want to make you proud
of me, Momma.

L.'S MOTHER
You think I'm not? I am! I'm
proud of you, L. So, so proud.
I thank God every day for you.
I don't need a test to tell
me to be proud of my son.

L. shakes his head, covering his face with his hand as he tries to wipe away his tears.

L.
If you're so proud of me,
why can't I be proud of myself?

L.'s Mother's face falls in sympathy. She gets it now.

She reaches for her son's hand again and holds it tightly against her chest.

L.'S MOTHER
Oh, son. No. No, you can't
think that way. You have to
be proud of yourself first,
before anyone else can be.
You have a lot to be proud
of, anak. You are smart, no
matter what that test says.

L.
This isn't about that test
anymore, Momma. Don't you
get it? I have people everyday
telling me they believe in
me. Telling me how smart I
am. Telling me how talented
I am. Telling me everything
I want to hear, that I can
do anything I want to if I
just put my mind to it, but
at the end of the day, I still
can't believe it.

L.'S MOTHER
Then you better start believing
it, L. You are my son. There is
nothing out there you cannot do
if you work hard it. You have
to be determined first to believe
you can do it, and the rest is
up to God. You just have to have
faith. That's all.

L.
(panicked)
But how? How am I supposed to
have faith in myself when I don't
have faith in anything else?!

He begins BREATHING HEAVILY, hyperventilating almost, as he struggles to get the words out.

L. (CONT'D)
Momma, help me. Please.
Momma, I can't breathe.

L.'s Mother immediately leaps to her feet and helps her son lay out on the sofa.

L.'S MOTHER
Here. Just lie down. Breathe
slowly now. In, out. In, out.

He does so, forcing himself to BREATHE SLOWLY.

L.
Momma, I can't feel my face.
I can't open my eyes!

L.'S MOTHER
Just relax. You're having a
panic attack. Your face is
all red. Just try to relax,
and keep breathing.

L.
Okay.

L.'s Mother breaks away towards the kitchen. Feeling her no longer at his side, L. starts to panic.

L.
Momma?!

L.'S MOTHER
I'm getting you some water.

L.
Okay. Okay.

L.'S MOTHER
Just breathe, anak. Deep
breaths now, just like that.
Here, drink this.

She returns to her son's side with a glass of water. He takes it from her and finishes it off in one gulp.

L.'S MOTHER (CONT'D)
Another?

L.
Yes. Please.

L.'S MOTHER
Okay. Just relax.

She goes to grab another glass of water, returning promptly. L. finishes it off quickly as the first glass, his BREATHING SLOWED.

L.'S MOTHER (CONT'D)
Feeling better?

L. nods.

L.'S MOTHER (CONT'D)
Good.

She sits beside him on the sofa and takes his hand, kisses it softly.

L.
Thank you, Momma.
(beat)
I love you.

L.'S MOTHER
I love you, anak.

She tenderly strokes his cheek as he slowly gives into exhaustion, letting sleep overcome him.

FADE OUT.

THE END.

Thursday, December 10, 2009

L.I.F.E.: 120503/102503

OVER BLACK.

L. (V.O.)
I love you.

CUT TO:

INT. A.'S APARTMENT – BEDROOM – DAY

A. (24, dark features, ruggedly handsome) sits on his bed, a half-packed suitcase beside him. He is absolutely dumbfounded.

L. (16, young, but an old soul) looks back at him expectantly after having released a heavy burden from his shoulders.

A LONG, AWKWARD SILENCE fills the room.

A CLOCK TICKS AWAY in the background. Six, seven, eight . . .

L.
Well? Say something.

A. struggles to find the words, STAMMERING.

A.
I-I-I don't . . .
(beat, incredulous)
What?

L.
I said I love you.

A. looks as if he's reeling in shock, still SILENT. His gaze is unfocused, jaw slightly open as he tries to digest this.

L. looks back at him, pained at A.'s lack of expression, the lack of returned sentiment.

L. (CONT'D)
Jesus, A.!

He brings a hand to his forehead, shielding his eyes. He begins to pace.

L. (CONT'D)
You know what? Forget I said
anything. I'm . . .
(heads for the door)
I gotta go. I gotta get outta
here. Forget I said anything.

A. finally gathers his bearings. He immediately bolts up and goes after L.

A.
No, L., wait!

He catches him at the door, puts himself between it and L. to keep him from leaving.

A. (CONT'D)
Wait, okay? Wait a sec. Let's . . .
Let's talk about this.

L. looks away, embarrassed.

L.
Just forget I said anything.

A.
I can't- I can't just do that, L.
Not after you drop a bomb like that!

L. looks back at him in disbelief.

L.
(hurt)
"A bomb like that?"

A.
You know what I mean. You gotta
admit, that came pretty far out of
left field.

L.
You know I don't understand your
sports analogies.

A.
It was just . . . pretty unexpected,
is all. Can you blame a guy for
being caught off guard?

L.
(offended, incredulous)
"Pretty unexpected?" Have the last
few weeks meant NOTHING to you?!

A. looks back at him in shock, not realizing till now what the last few weeks meant to L. He sinks back onto the bed, stunned.

A.
L., look. We were just . . .

He STAMMERS for an answer.

L.
We were just what?

A.
Just . . . fooling around.

Not the answer L. was looking for. He looks as if he's just been slapped in the face AND punched in the gut, ready to crumple with one more hit.

L.
(wry)
Deeper, A.

A.
What?

L.
Twist the knife deeper, why
don't you.

Now A.'s shock turns into a shade of frustration. He leaps out of bed and starts pacing the room frantically.

A.
What did you expect, L.? You're . . .
You're my best friend's ex-boyfriend!

L.
What does that have to do with
anything?

A.
Don't you get it, L.? It's wrong.

L.
Yeah, yeah. I got it. You've only
been saying it was wrong every time
YOU called ME up in the middle of
the night, every time YOU brought
ME to your bedroom, every time YOU
slept with ME --

A.
Don't you dare victimize yourself
here, L.! It takes two to tango.

L.
But YOU were the one saying it was
wrong even though YOU were the one
initiating it all, so that makes YOU
the hypocrite, A.

A. sinks back onto the edge of the bed, defeated.

A.
L., we can't -- We can't just . . .
We can't just do this.
(beat)
We can't.

He looks up at L. with pleading eyes, which L. meets with a cold stare.

L.
So, what? It was fine for us to hang
out together without anyone knowing,
fine for us to be alone together in
the middle of the night, fine for us
to just keep seeing each other and
sleeping with each other as long
as we kept believing it was just
"fooling around" and nothing more?
Because, God forbid, one of us might
actually care about the other one
as more than just a fuck buddy and
might actually have real feelings?

A. looks at his feet, caught.

A.
(muttering)
Something like that.

L.
I don't believe you!

He kneels before A., letting his desperation show as he grabs for A.'s hands to hold in his own.

L. (CONT'D)
A., I love you.

A. wrestles his hand away.

A.
L., don't.

He leaps to his feet. Searching for a distraction, he continues packing, grabbing anything in sight and tossing it into the suitcase on the bed.

L.
So, that's it?
(A. ignores him;
on the verge of tears)
A., please!

A. stops packing long enough to give him a reproachful glance before redirecting his gaze to his hands.

A.
I can't –- I can't do this right
now, L. I'm sorry. I just can't.

L. looks at him, defeated. A. continues to pack in silence; L. doesn't stop him.

CUT TO:

INT. A.'S BEDROOM – EVENING (TWO MONTHS AGO)

A. sits on the edge of the bed in the dark room, naked. He looks over his shoulder at L., sleeping soundly beside him.

A somber look flashes across his face.

AFTER A MOMENT, A. gets up and heads into his bathroom.

CUT TO:

INT. A.'S BATHROOM – CONTINUING

A. stands over the sink, splashing his face with cold water.

HE AVOIDS MEETING HIS EYES IN THE MIRROR.

CUT TO:

INT. A.'S BEDROOM – CONTINUING

A. sits back down onto the edge of the bed, holding his head in his hands.

L. stirs awake.

L.
Hey.

A. barely GRUMBLES a reply. L. sits up, concerned.

L. (CONT'D)
Everything okay?

He reaches out to touch A.'s shoulder, who only brushes it off.

L. (CONT'D)
(confused)
Hey --

A.
Let's get you back home.

He rises off the bed and gets dressed, AVOIDING L.'s EYES.

CUT TO:

INT. A.'S CAR – NIGHT (LATER)

A. and L. sit in the car in silence outside L.'s apartment complex.

L. shoots A. a glance out of the corner of his eye.

L.
Are you okay? You haven't said
a thing since we . . .
(beat)
Are you okay?

A.
(doesn't want to talk)
Yep. Fine as rain.

L.
Fine as pie?

A.
You know what I meant.
(beat)
Are you okay?

L.
Yeah. I'm fine. It's you I'm
worried about.

A.
(through gritted teeth)
I told you I'm fine.

L. struggles to accept this.

L.
Right. Okay.
(beat)
Well, then I guess I'll . . .
see ya around.

He starts to exit the car when A. SPEAKS UP.

A.
We shouldn't have done that.

L. looks back at him, confused and a little hurt.

L.
What?

A.
What we did . . . We shouldn't
have done that.

L.
Why?
(beat, small)
Was it bad?

A.
No. No, L., it was . . . Good.
Great, even. But . . . It was
wrong. We shouldn't have . . .

L.
Fucked?

The word stings A. a little.

A.
Yeah.

 

I can't bring myself to finish this, because:

1) it hurts too much to try and relive, and
2) it's already faded from memory.

This is all I'm gonna leave with for now.

Friday, July 31, 2009

Life In Fiction, Edited (L.I.F.E.): 073108

OVER BLACK.

NARRATOR (V.O.)
He always wanted to start his
birthday off with a bang.


THE SOUND OF TWO MEN GROANING
fills the soundtrack.

CUT TO:

INT. BEDROOM – NIGHT

TWO MEN are in the middle of a hot and heavy fuck session on the bed, softly outlined only by the limited pale blue light of the moon coming through a window.

Their GROANING and the sounds of BED SPRINGS CREAKING are the only things we hear until the NARRATOR's voice rises through the intimate noises.

NARRATOR (V.O.)
It was the only year he got
his wish.

We stay on the two bodies grinding forcefully in synch for a moment before we --

FADE TO:

INT. TAXICAB – EVENING (EARLIER)

A YOUNG MAN (20, of the first scene), dressed rather formally in a shirt, dress pant, and top coat (all black), sits in the back of a taxi cab making its way through a relatively affluent suburb, staring out the window with a glassy-eyed stare. 
 

What am I doing? What the hell was I thinking?!  Oh, God. Oh, Jesus. Forgive him, Father, for he knows not what he does…


C.U. – THE REARVIEW MIRROR
The DRIVER'S GENTLE BROWN EYES sneak a glance at the young man in his backseat.

DRIVER
(trying to make conversation,
with a heavy Spanish accent)
You havin' a good night?

The young man tears his sight away from the window long enough to meet the driver's stare through the mirror.

YOUNG MAN
I'm counting on it.

He resumes his gaze out the window, ending the conversation.

Noting this, the driver CLEARS HIS THROAT at the awkward silence that ensues and turns on the radio to a SPANISH STATION, singing along softly.

YOUNG MAN (V.O.)
Thanks.

CUT TO:

EXT. HOUSE - SIDEWALK – NIGHT (LATER)

The taxi cab pulls away from the curb, leaving the young man standing awkwardly on the sidewalk of a quiet residential neighborhood.

He takes a DEEP BREATH as he looks out at the dark two-story house in front of him, a soft, muffled blue glow emanating from the ground floor window.
 

Oh, God. Here I am. Jesus, now what?


C.U. – HIS HAND
begins to tremble softly in nervousness.

He immediately shoves his hand into his coat pocket, retrieving a small silver cigarette case.

He extracts a cigarette from the case and lights it up, taking a DEEP DRAG before EXHALING SLOWLY- a sweet release for his anxiety.

His gaze never leaves the house as he finishes his cigarette off desperately.
 

He's in there, waiting. The man that holds all my hopes and dreams. He's there, waiting for me. The key to this night. Better make it last. We've still got a way's to go before midnight…


After a long moment he tosses his cigarette on the ground, crushing it with his boot.

He makes his way toward the front door.

CUT TO:

EXT. HOUSE – FRONT DOOR – CONTINUING

He pauses at the front door, hesitating.
 

Oh, God, oh, God. Is it too late to turn around? End this now? I can't do this. I'm sorry, I can't see you. See, it's my birthday and I really wanted to do this because it means a lot to me but now I'm not so sure you're the right man for the job. Jesus Christ, just turn the fuck around…


He raises a shaking finger and moves it toward the doorbell, inching his way closer until his finger is just on the button.
 

Here we go. Judgment day..


Immediately he shoves his hand back into the safety of his coat pocket.
 

Oh, God, I can't do this.


He releases a HEAVY SIGH and withdraws his cell phone. He scrolls through his address book, stopping on "R." and presses "CALL."

It RINGS.
 

No turning back now.


He SIGHS.

MAN (V.O.)
Hello?

The VOICE on the other end visibly catches him off-guard. He takes a moment to gather his bearings, CLEARING HIS THROAT before responding.

YOUNG MAN
Hey, it's me. I'm outside.

MAN
Hey! I just got out of the
shower, give me a second.


Why bother getting dressed?


YOUNG MAN
Sure thing.

He hangs up, taking in another DEEP BREATH.

A MOMENT PASSES before the door opens, revealing a shirtless MAN (30) in well-worn jeans, the grin on his face a mile-wide.
 

Jesus. I want it to be you.


MAN
Hey! Come on in.

The young man hesitates for a moment before he raises a foot over the threshold.

THE DOOR CLOSES AUTHORITIVELY behind him.

CUT TO:

INT. HOUSE – FOYER – CONTINUING

The young man glances around the room (formal leather seating, glass coffee tables, abstract paintings, an aquarium devoid of fishes) as he removes his coat and shoes.

The man locks his eyes on the young man, drinking him in with a disarming smile as he continues his glance around the room.

YOUNG MAN
What happened to Kool and
the gang?

MAN
Huh?

He follows the young man's gaze to the empty aquarium sitting opposite the large living room window, its blue glow ethereal and haunting.

MAN (CONT'D)
Oh. They got sick. Bad food.

YOUNG MAN
What a shame.

MAN
Tell me about it.

The young man looks over to him, notices his grin.

       

It's my birthday tonight.


He looks away.

CUT TO:

SEVERAL LARGE KOI FISH
splash frantically on the surface of a small pond.

CUT TO:

EXT. HOUSE – BACKYARD – CONTINUING

The fish are just quick flashes of white, black, and orange as the man, now wearing a sweater, generously sprinkles flakes of food into the water.

The young man watches from a distance, a slight smile on his face.

YOUNG MAN
Good to see they're doing
well.

The man looks over his shoulder at him, a proud patronly smile on his face.

MAN
Yeah, they're doing great!
 

I want to see that smile when I wake up in the morning. That smile will make this all worthwhile.


YOUNG MAN
They've grown bigger since I
was here last.

The man sets the container of food down, says a quick good night to the fishes, and makes his way back to stand beside the young man, his gaze locked on the pond.

MAN
("it's been a while.")
Yeah, they've definitely grown
since then.

Almost daring himself, the young man leans a little closer to him until he's only an inch away.

Noticing this, the man smiles at him.
 

It's my birthday tonight and I want it to be you.


He throws his arm around the young man and holds him close.

MAN (CONT'D)
C'mon. Let's go inside.
 

Oh, shit.

CUT TO:

INT. BEDROOM – LATER

The man moves into the room, peeling out of his sweater and turning the television on to the local news, before throwing himself onto the bed with a LOUD SIGH.

He looks over at the young man, hesitating at the doorway.

MAN
Close the door. My roommate will
be home soon.
 

So private. I don't know anything about you. What am I doing here? I want it to be you.


The young man closes the door softly behind him and locks it. He looks over to the man, who pats the space on the bed beside him.

MAN (CONT'D)
C'mon. Relax.

The young man hesitates.
 

Oh, God. Here goes nothing.


After a moment, he makes his way towards the bed, removing his watch and emptying the contents of his pockets on the night stand, all the while being under the watchful gaze of the man.

He sinks cautiously onto the bed, nearly hugging the edge.

The man LAUGHS SOFTLY and places a friendly hand on his thigh.

MAN (CONT'D)
You alright over there? Why
don't you come a little closer?

The young man takes his suggestion, uneasily easing himself closer to the man.
 

I want it to be you. It's my birthday tonight. Here goes nothing.


He peels out of his shirt, leaving on his tank top and dress pants.

MAN (CONT'D)
That's better.

He places his hand on the young man's thigh once more, looks up at him.

The young man looks back at him with a gentle smile.

 

Don't hurt me. I want it to be you.


The man smiles back, a gleam in his eyes.

MAN
(softly)
You want to?
 

Of course. It's my birthday. I want it to be you.


The young man nods, slinking OFF FRAME to undo the man's jeans before getting to work . . .

FADE TO:

INT. BEDROOM – SUNRISE

Soft, morning light streams through the window, spilling onto the bed where the man and the young man lie on opposite ends.

The man sleeps peacefully, SNORING SOFTLY, as the young man watches him quietly from his side.

After a moment, he moves closer towards the man, nestling beside his arm.
 

It's my birthday. What am I doing here?


He reaches out a hand to gently stroke the man's chest, lingering over every plane of muscle as he works his way down.
 

Who are you? I wanted it to be you.


The man STIRS, opening his eyes softly and focusing his gaze on the young man beside him.

YOUNG MAN
Morning.

The man smiles at him.

MAN
Morning.
 

It's my birthday.


He wraps his arm around him and holds him close before breaking away.
 

I wanted it to be you.


CUT TO:

INT. CAR – MORNING (LATER)

The two men are on the drive back. SOFT POP ROCK plays on the radio as they gaze out into the neighborhood they speed through.

MAN
These houses are so nice. Must
be a nice neighborhood.

YOUNG MAN
Yeah, it's . . . nice.

The man YAWNS.

MAN
Jesus. I still gotta head
to work.

He turns to grin lasciviously at the young man.

MAN (CONT'D)
That was a nice way to start the
morning.

The young man grins back at him.

YOUNG MAN
Got a little pep in your step?

MAN
Maybe a little.
(beat)
I can't believe it's already
August. Time flies, man, I'm
telling you.
(beat)
Hey, isn't your birthday in
August?
 

I wanted it to be you.


YOUNG MAN
Yep.

MAN
What day?

The young man turns to look at him squarely in the eye.

YOUNG MAN
Today, actually.

The man reacts in complete shock.

MAN
You're kidding me!

The young man resumes his gaze out the window.

YOUNG MAN
Nope. Today . . . is my
birthday.
 

I wanted it to be you.


The man takes this in for a moment before slapping him on the thigh with an AMUSED LAUGH.

MAN
Well, happy birthday!

YOUNG MAN
Thank you.

As the man continues to let this fact sink in, the smile on his face begins to slowly disappear.
 

It's my birthday. I wanted it to be you.


MAN
(realizing, softly)
Happy birthday.

FADE TO BLACK.

THE END.